ARTS
Teachers, scroll down for a quick list of key resources in our Teachers’ Toolkit.
Warning: The poem analyzed in today’s Current Event Connection contains adult themes (violence, racism) and language. The section of the poem we analyze does not contain these verses.

Photograph by Asterio Tecson, courtesy Wikimedia. CC-BY-SA-2.0
Discussion Ideas
- Why do you think Beyoncé might have been interested in the work of British poet Warsan Shire? Learn a little about Warsan Shire in this short New Yorker profile.
- Shire is a British poet who writes about her identity as a young woman of African descent, certainly themes with which Beyoncé and millions of others can identify.
- Shire’s work is a project of “documentation, genealogy, preserving the names of the women came before me. To connect, honor, to confront.” Beyoncé has an outstanding interest in these ideas and how they are expressed by poets, having quoted a speech by the Nigerian writer Chimamanda Ngozi Adichie in the single “Flawless.” (Listen to the “We Should All be Feminists” speech here.)
- Beyoncé’s latest project, the short film/visual album Lemonade, is defined by raw vulnerability and lyrics about betrayal, love, jealousy, and forgiveness. These are all frequent themes in Shire’s poetry—just read through “for women who are ‘difficult’ to love.”
- One of Warsan Shire’s most famous poems is “Home.” Read it here. “Home” addresses the outlook and circumstance of refugees in the contemporary world. Consider its opening:
no one leaves home unless
home is the mouth of a shark
What literary device does Shire use in that breathtaking second line?- It’s a metaphor, an understanding of one concept in terms of another concept. Specifically, it’s an ontological metaphor. This means an abstract idea (the concept of home) is represented as something very real and concrete (the mouth of a shark).
- What makes that second line such as powerful metaphor?
- Both sides of the metaphor—home and the mouth of a shark—are immediately familiar, even if you don’t have a permanent home and you’ve never seen a real-life shark.
- home. The concept of home doesn’t have to be a permanent place of residence. It is often a metaphor for feelings of familiarity, comfort or comfortability, and assurance. At home, or surrounded by people with whom you are “at home,” you don’t have to worry about the language you’re speaking or being literally misunderstood. You don’t have to constantly keep track of your belongings. You don’t have to navigate an unfamiliar area. You can relax, and think about what you want to (as opposed to the immediate practicalities of survival).
- mouth of a shark. This concept is instant and unambiguous—danger. (A later metaphor in the poem compares home to the barrel of a gun.) The violence associated with the mouth of a shark is often also identified with brutal chaos and a frenzied desperation to escape. In the mouth of a shark (in the mouth, not just near it) the likelihood of being violently consumed is almost certain.
- Home, the mouth of the shark, speaks to the refugee at the end of the poem:
leave,
run away from me now
i dont know what i’ve become
but i know that anywhere
is safer than here
- Home, the mouth of the shark, speaks to the refugee at the end of the poem:
- Both sides of the metaphor—home and the mouth of a shark—are immediately familiar, even if you don’t have a permanent home and you’ve never seen a real-life shark.
- We’ll end on a lighter note—back to Beyoncé. Does she use metaphors in her lyrics?
- Not as often as you’d think! Lots of pop songwriters use metaphors in their lyrics, but, in general, Beyoncé seems pretty literal. (“Halo,” a single from 2009, is an exception—a big hit that relies on metaphors and symbols.)
- Do you think this makes her lyrics any more or less accessible, or able to be identified with?
- Do you think this makes her lyrics any more or less “poetic”—emotional, expressive, or imaginative?
- Can you think of other artists who don’t rely on metaphors in their lyrics?
- Can you think of artists who do?
- Not as often as you’d think! Lots of pop songwriters use metaphors in their lyrics, but, in general, Beyoncé seems pretty literal. (“Halo,” a single from 2009, is an exception—a big hit that relies on metaphors and symbols.)
TEACHERS’ TOOLKIT
BBC: There’s more to Warsan Shire than the Beyoncé video
Nat Geo: Poems, poetry, and poets
SeekersHub: “Home” by Warsan Shire
New Yorker: The Writing Life of a Young, Prolific Poet
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